Popular gospel musician Sinach, widely known for her inspirational songs and global reach, is currently embroiled in a legal battle over alleged copyright infringement related to her 2016 international hit track, Way Maker. The case was brought against her by renowned music producer Michael Oluwole, professionally known as Maye, who has filed a lawsuit seeking N5 billion in damages.
Maye’s claim, filed under suit number FHC/L/CS/402/2024 at the Federal High Court in Lagos, alleges that he is the co-author and co-owner of Way Maker. He asserts that his contributions to the creation of the song have not been adequately recognized or compensated. Through this legal action, he is seeking a formal court declaration that affirms his role and co-ownership rights in the production of the globally acclaimed song.
In addition to the court declaration, Maye is demanding N5 billion as general damages, citing what he describes as a cumulative violation of his rights over the years since the song's release. According to him, the lack of acknowledgment and financial remuneration for his contributions has caused significant harm to his professional reputation and economic standing.
Sinach, on the other hand, strongly denies the claims made by Maye. She has maintained her position as the sole author of Way Maker, emphasizing her extensive experience and recognition as a gospel artist even prior to the song’s release. Sinach’s legal team has stated that she remains confident in the originality of her work and the evidence supporting her authorship of the song.
The lawsuit has attracted significant public attention, given Sinach’s global influence as a gospel musician. Way Maker, which has been translated into numerous languages and performed by choirs worldwide, has earned her critical acclaim and solidified her position as one of the most influential figures in gospel music.
The case was formally presented in court on Wednesday, November 27, 2024. During the initial hearing, both parties presented preliminary arguments, and the presiding judge adjourned the trial to January 29 and 30, 2025. This adjournment aims to give both sides sufficient time to gather and present additional evidence to support their respective claims.
As the legal proceedings continue, the case is expected to shed light on broader issues of intellectual property rights and copyright laws within the Nigerian music industry, with potential implications for artists and producers alike.
